Kojima Dropped by Sony: A Journalist Was There and Tells All
He was there. Gene Park, Washington Post journalist, was partying with Kojima just before the phone call that changed everything. And what he told Moore’s Law Is Dead isn’t just about Physint—it’s about PlayStation itself rocking at its core.
When Sony canceled Physint in June 2026, Hideo Kojima had no idea what was coming. In a nearly two-hour interview on Broken Silicon, Gene Park describes being right by the creator’s side just before the news hit. It’s a rare account—especially when you add in Xbox swooping in to pick up the project—that paints a picture of a platform holder losing its way as the PS6 era approaches.

Image credit: Sony
Gene Park was with Kojima right before Sony’s call
In a marathon episode of Broken Silicon aired September 15, Tom (Moore’s Law Is Dead) sits down with Gene Park, the Washington Post’s go-to games industry reporter. This isn’t just a hot take: Park says he was physically with Kojima right before the creator learned—without warning—that Sony was pulling the plug on Physint last June. That’s a rare glimpse behind doors that usually stay locked tight.
According to Park, Kojima had zero warning. Park would know—he was with the creator in New York, out at the clubs, right before the call came in June. “It wasn’t even on his radar,” Park sums up—and he himself didn’t see it coming. He dismisses any idea that this was a long-planned exit: none of his sources expected it, and everyone involved was blindsided by how it went down. Three months later, Xbox officially picked up the project.
For Park, this whole saga exposes a failure of planning. Sony knew what a Kojima project would cost after two Death Stranding games, had gone public with a video of Hermen Hulst singing Kojima’s praises, then suddenly bailed—“it just looks stupid,” Park says. His theory, echoing Jason Schreier: Sony tightened internal milestones after the Concord debacle. The segment on this split starts at 21:35, and Park keeps coming back to it as symptomatic of a much deeper problem at Sony.
PlayStation in the middle of an identity crisis
The Kojima affair is just the tip of the iceberg. Park and Moore’s Law Is Dead dig into what the journalist calls the aging PlayStation formula—a blockbuster single-player model that’s getting pricier to make and harder to turn a profit on. Meanwhile, Sony is polling its own studios about where to take the PS6, a sign of rare uncertainty this late in the cycle.
The hardware side isn’t looking much better. Sony’s CEO has admitted that there’s no set date or price for the PS6, while the AI-driven RAM crisis could push the console back to 2029. The big picture is worrying:
- An internal investigation hinting at strategic confusion inside PlayStation Studios
- A RAM price surge that could send a portable PS6’s cost soaring past $600
- Player outrage over the possible end of physical discs
- The loss of top creative partners, with Kojima leading the exodus
Xbox Helix and DLSS 5: the competition gears up
While PlayStation drifts, the last part of the interview looks at what’s brewing on the other side. Moore’s Law Is Dead brings up Xbox’s Helix project, which could be Microsoft’s answer for the next generation. Details are scarce—the host mentions a never-before-seen APU size and power above a $2,000 PC, but that’s it—yet the idea of a resurgent Xbox facing a shaky PlayStation has been fueling discussion for weeks.
On the tech front, DLSS 5 Leak: NVIDIA Promised Photorealism, Gamers See an Instagram Filter is sparking debate, and Park isn’t sold: “pretty ugly” in stills, more passable in motion, but proof that the tech is hitting a ceiling. Park and Moore’s Law Is Dead agree: it’ll be the games, not raw power, that decide the next-gen winner—just look at Zelda and the Switch.
Whether Gene Park’s account—striking as it is—will get a response from Sony remains to be seen. The company still hasn’t commented on the details of its split with Kojima. The coming months, between a possible PlayStation showcase and Q3 financials, should reveal whether Sony’s current course holds—or if more high-profile departures will confirm the trend Park describes.









